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A brief history and techniques

A Little History

I have been building models since I was six year old. Wow some 37 years ago? I actually remember…somewhat, the first one. It was a 1/72 scale jet my mother bought me. Since that time I have been pretty much addicted to that hobby. I originally wanted realistic aircraft to recreate dogfights that occurred in famous air battles such as Midway and the Battle of Britain. I had read everything I could about these epic struggles and knew, in detail, each plane used. However, I could not find any realistic “toys” to have my imaginary dogfights. Models were the answer. Of course they had to be built first. But in a few hours I had them chasing each other around my room shooting at one another and crashing into the ground..(carpet). They were unpainted and covered in glue. Heck you could not even see the pilots for the glue covering the canopies.
Soon I wanted to make them look a little better and began painting them. These were the old 1/48 scale monogram planes available in the early 70’s. I bought bottles of testers enamel paint, some brushes and went to work. This produced a little better results but still not the slick professional finish on the box cover. Then after talking to a fellow much older than I was in a hobby shop on Birmingham, Alabama…I think the place is actually still open, the Homewood Hobby Shop, I discovered the most flexible and useful tool a modeler can ever purchase, the airbrush. I saved my pennies and bought a single action Badger for about 60.00. I started off with a can propellant and behold! The models made a significant improvement. They actually began to look like the wonderful examples on the boxes. My buddies would come over and flip me a few dollars to borrow my airbrush and paint their models. It was marvelous.
Soon my interest began to jump around to armor. I bought a monogram 1/32 Ostwind flakpanzer, I believe, that or the Brumbar..,eventually I had them all. But included was a diorama sheet by Shepherd Paine.

Shep's Dios for Monogram

These were the most amazing things I had ever seen. I began trying to recreate these scenes..with little success. Even to this day I have trouble getting everything as good as Mr. Paine, but we all need goals!

Techniques

Airbrushing 101…. (201 will come a little later)

The airbrush is the most versatile tool in the inventory. There are many different techniques and everyone has developed or use their favorites, but these are the techniques I use.
One thing to remember is that most objects are brighter on top and darker towards the bottom. The closer to the ground, (and thus further from the sun/light) the darker an object becomes. This is the concept behind the “color modulation” technique.
For any object you can generally break the paint down to three tones. Mix a light shade, a base shade, and a darker shade. German vehicles were painted “panzer gray” before 1943 and based a sand yellow (dark yellow or dunkel gelb) after 1943. After 1943 the crews were issued cans of green and brown paint and pretty much allowed to do what they wanted at the commanders discretion.


So take a German vehicle before 1943. You can use DOA panzer grey as the base coat. Use three bottles with the straight panzer gray poured into the middle bottle. Add a little white to one bottle and black to the other. Do not be timid and make your shades distinctive. Thin your paint to the consistency of milk using rubbing alcohol. Set the pressure on the compressor..to say 15-25 psi. I shoot pretty high, around 20 psi. Shoot some water through the airbrush first. So, say we have a tank. Airbrush the lower hull, that’s from the fenders down to the bottom of the wheels, under the front and back the darker color..make this almost black..a deep charcoal gray. Airbrush the side the base shade and spray the wheels with this shade from a little further back to lighten the outside of the road wheels a bit, and the very top of the gun, turret and rear deck the lighter shade. For a dark yellow vehicle, use tamiya xf 60 (dark yellow) as the base. Add some white for the lighter shade and brown..or use a straight brown for the darker shade. Paint it the same way as stated above. There are no hard fast rules but you want the lower hull dark, the sides mid-tone and the top a lighter shade. There! Now step back and take a look. Pretty cool isn’t it? If the lower hull is not dark enough darken it. If it is too dark spray some base coat on it at a distance and add coats of the lighter shade.

There are variations to this concept and we will discuss that in Airbrushing 201 but for now stick to this technique. Now if you want to add some camo now is the time. Like I said, the Germans were issued cans of green and brown paint in a paste form. This was thinned with gas,water wine, whatever but the more thinner applied the lighter the shade. There were no hard, fast rules. So mix up some green, brown or both and thin to the consistency of milk again. Spray some wavy test line on a piece of paper and when you are ready add some vertical wavy lines down the sides of the vehicle. Add some to the upper surfaces as well. Look at some photos of other models and some period photos for a reference. No two vehicles were the same. One interesting scheme is to spray brown lines and then outline those with thinner, green lines. If you make a mistake mix back up some dark yellow and correct it. With water based paints this is fast and easy.
And that’s it. You should have a nicely camouflaged vehicle ready for weathering. If you don’t like the way it turned out re-paint it. You can get away with this about 2 times before having to strip it and start over.

 

Airbrushing 201

Once you have a few models under your belt using the above technique we can take this one step further. For this you need to mix up a bottle of black paint. Yes that’s right, black. Spray the entire model black. Looks good doesn’t it? Ha! But fear not. Now using the same three tones as before begin spraying the shades of dark yellow used in the above example just has you would have earlier. This will produce even more effective shadowing and “color modulation”. Leave the areas under the lower hull, wheel wells, under the gun and around the turret darker. Leave the end of the gun barrel a nice sooty black as well. Use common sense. Remember that areas under the vehicle and lower to the ground are going to be darker. Areas covered by other parts of the vehicle, ie in the shadow of another part will be darker as well. Once the base shades are applied camouflage the vehicle if you so desire.

Weathering with the Airbrush

I am going to put this under the Airbrushing 201 section as some of these techniques need to be done before applying the base shades. Shoot the black normally as stated above, but this time mix up some brown as well. Spray the edges of the vehicle. Spray the fenders, edges of the turret and edges of the hull with the brown. Let this dry. Now using rubber cement, Elmer’s makes a good cement to use. Apply a light coat to the edges where the brown is, but do not put the glue anywhere but on the brown and just on the very edge of the areas. Let this dry a couple of hours and spray the base shades as usual and camo if necessary. Let this dry a day or so. Now gently scrape on the edges of the vehicle…a little here and there and you will make a really nice “chipped paint” effect. For Afrika Korps vehicles use panzer grey as the first color instead of black, then spray the three shades of sand yellow over it. This is exactly how the real ones were painted. Leave the brown off a couple of areas and put on the rubber cement and you will have places where the sand paint has chipped off leaving the panzer gray visable. Pretty cool huh?

Another technique you can use the airbrush for is to apply a “filter” of color to a vehicle. To do this you choose a color depending upon what you want the filter to accomplish. For panzer yellow you may want to darken the entire vehicle a tad. Mix some brown paint, heavily thinned and spray it on the vehicle. I would use oil based paints for this thinned with mineral spirits. This can produce some interesting effects using browns, greens and just about any other shade. Just be careful, use common sense and experiment.

Weathering a Vehicle

The first step to weathering a vehicle is to apply a “wash”. This is nothing more than greatly thinned paint applied with a brush to the vehicle. Exact proportions are not important but what you want is basically a tinted thinner rather than thinned paint. Apply a darker wash to the wheels and lower hull. I use a black wash for these areas. Apply a lighter wash to the upper areas. I use brown here. This will flow into the recesses and around raised detail making them stand out. If you happen to get the paint too thick apply pure thinner to the area to tone it down.
Another interesting and very effective technique is to simulate rain run-off. Take some oil paint on a finely pointed brush and touch “dots” of color to the vehicle. Use brown, black and orange for rust. Then take a wider brush full of clear thinner and stroke vertically up and down over the dot of paint. You will get a linear streak of faded color running down the side of the vehicle. This is especially effective on vehicles with a tall superstructure or turret like an Elephant or King Tiger. These “washing” techniques are very effective and can give your vehicle a grimy, dirty appearance just like a real vehicle in the field.

Dry Brushing

Dry brushing is a technique I find myself using less and less. However it still can produce some pleasing effects. Basically it is the opposite of a wash. Here you have so little paint on the brush it just whisks a little across the very top and edges of your subject. This can also accent detail and give a dusty, dirty appearance to a vehicle. A nice yellowish brown is a good color to start with. Darker colors can also be used to give a ground in, worn effect. Use a flat, ¼ inch wide red sable brush and acrylic paint.

Pigments and Powders

This is the stuff! Get some DOA powders and try this stuff out. You can make dust, dirt, mud and charred smoke effects with this stuff. Rust and soot are easily created as well. Sprinkle this stuff on with a brush or "paint" directly on the vehicle. Then use the brush to spread the powder around. The effects are subtle and you can create some interesting patterns with the dust. Use it to simulate faded paint, dust/dirt, soot, smoke stains on exhausts and gun barrels. SNJ products makes an aluminum buffing powder than can be used to simulate worn bare metal. You can also use reds, browns and oranges to simulate rust.
The powders and pigments can be mixed with sand, plaster and little acrylic resin or white glue and mud effects can be created. The will dry lighter just like real mud and different shades can be achieved. I usually will use one shade or two to three just like real mud. Mix the stuff up to a nice muddy consistency and apply it with an old paint brush. Once again there are no hard fast rules and anything goes but use common sense. The top of the turret is not going to get very muddy..unless a crewman with muddy boots walks across the top. Most of your mud will occur on the lower hull and fenders. Take a look at bull dozer at a construction site. The same principles apply.



 

 

If you have any questions about how a specific model was made or technique that was used just drop me a line at bmoore@appriver.com.